奸杀犯
前皇家海军少校在船上涉嫌强奸海军上士黛安，后来因为告诉人失踪而结案，约翰也被迫退役，成了一名私家侦探。在一桩调查捉奸的案件，调查对象遭到奸杀，第一个出现在案发现场的杜瓦立即成为警方的头号嫌犯。连续四晚，有三名女子惨遭分尸，更惨的是其中一名女子正是杜瓦的女友。警方在被害者体内均验出杜瓦的精液，而杜瓦的指甲里则有被害者的DNA。虽然杜瓦宣称是合意性交仍被送入了监狱，在一周之间接受心理医生评估其心理状态。杜瓦在监禁的期间，普利茅斯又发生了一起同样手法的奸杀案……剧情峰回路转，出乎意料的结局，不到最后一刻，绝对无法猜透真正的凶手。
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剧情简介
前皇家海军少校在船上涉嫌强奸海军上士黛安，后来因为告诉人失踪而结案，约翰也被迫退役，成了一名私家侦探。在一桩调查捉奸的案件，调查对象遭到奸杀，第一个出现在案发现场的杜瓦立即成为警方的头号嫌犯。连续四晚，有三名女子惨遭分尸，更惨的是其中一名女子正是杜瓦的女友。警方在被害者体内均验出杜瓦的精液，而杜瓦的指甲里则有被害者的DNA。虽然杜瓦宣称是合意性交仍被送入了监狱，在一周之间接受心理医生评估其心理状态。杜瓦在监禁的期间，普利茅斯又发生了一起同样手法的奸杀案……剧情峰回路转，出乎意料的结局，不到最后一刻，绝对无法猜透真正的凶手。
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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