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战争艺术家
埃米尔·赫斯基,因巴尔·拉维,伊安·蒂阿尔,亚当·切赫曼,Edward Foy,Chris Cope,乔希·布莱克,乔什·祖克曼,尤金·里皮斯基,达里亚斯·布莱克,Pam Kearns,Tori Griffith,Brad Abramenko,迈克尔·本耶尔,Boris Bilic,马特·布朗,Reid Anthony Cronin,阿亚斯·达尔曼,Rebecca Dykstra,Craig Erickson洛桑的家事
金巴,扎西,加华草,更旦,居琼钦牧群
尸咒
金允慧,宋以载,朴智勋,李相亚格斗家·父爱无声
周惠林,白予晴,周小伟,张聿欢乐岁月2025
丹尼尔·雷德克里夫,乔纳森·格罗夫,琳赛·门德兹,瑞格·罗杰斯,克里斯托·乔伊·布朗,Katie Rose Clarke,Natalie Wachen同类精选
情圣3
肖央,谭卓,乔杉,常远,张小婉,代乐乐,艾伦,王成思,范湉湉,李思博,刘大锁,冯满,小沈阳,王迅,玛瑙定时拍摄
丹妮尔·帕娜贝克,马特·欧莱瑞,阿明·约瑟夫,莎朗·摩翰,乔治·芬,杰森·斯皮萨克,David Figlioli,Judith Drake,Mark C. Hanson四重唱
玛吉·史密斯,汤姆·康特奈,比利·康诺利,保利娜·科林斯,迈克尔·刚本,谢里丹·史密斯,安德鲁·萨克斯,格温妮丝·琼斯,特雷弗·皮科克,大卫·莱尔,迈克尔·伯恩,罗尼·福克斯,帕特里夏·洛夫兰德,伊琳·珀威尔,卢克·纽伯里凯歌香槟
娜塔莎·奥基弗,海莉·贝内特,汤姆·斯图里奇,本·迈尔斯,里奥·苏特,萨姆·赖利,保罗·瑞斯,卡拉·西摩,克里斯·拉金,安森·布恩,伊恩·克宁汉,塞西莉·克利夫,Joseph Rapp,David Emmanuel写写画画
永野芽郁,大泉洋,见上爱,畑芽育,铃木仁,神尾枫珠,森愁斗,青柳翔,长井短,津田健次郎,齐藤由贵,有田哲平,山野仁,大森南朋盛夏假期遇见爱
艾米丽·巴德,汤姆·布莱斯,莎拉·凯瑟琳·胡克 ,卢锡安·拉维斯科特,迈尔斯·赫尔泽,贾米拉·贾米尔,汤米·杜,卢卡斯·盖奇,爱丽丝·李,莫莉·香侬,阿兰·卢克,斯宾瑟·内维尔,伊恩·波特,马德琳·阿库阿,约翰·贾巴雷,贝瑟妮·安妮·林德,迈克尔·A·纽科默,劳拉·弗兰纳里,莱顿·威廉姆斯,埃米·勒影视排行
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
杰出公民
奥斯卡·马丁内兹,达迪·布列瓦,安德丽娅·弗里杰里奥,诺拉·纳瓦斯,曼努埃尔·维森特,马塞洛·丹德烈亚,贝伦·沙瓦纳,古斯塔沃·加尔松,朱利安·拉基尔·泰拉里尼,艾玛·里维拉,尼古拉斯·德·特蕾西,丹尼尔·卡尔吉曼,亚历克西斯·洛佩兹·科斯塔,莱昂纳多·穆里亚,佩德罗·罗斯小说家丹尼尔（奥斯卡·马丁内兹 Oscar Martínez 饰）从刚出道起事业就顺风顺水，如今更是获得了诺贝尔文学奖的殊荣，攀登上了职业的顶峰，然而这荣誉却并未带给他满足，恰恰相反，丹尼尔担心名声和财富会夺走他文学创作上的灵感与锋芒。 一晃眼五年过去，丹尼尔热度不减，邀约和奖项不断，可冷淡而又避世的他只教助手一一回绝。一封来自小镇萨拉斯的信吸引了丹尼尔的注意，萨拉斯是他阔别已久的故乡，如今邀请他踏上故土，接受“杰出公民”的奖项，在未告知媒体和朋友们的情况下，丹尼尔独自踏上了返乡的旅途，在那里，他再度见到了曾经的恋人艾琳（安德丽娅·弗里杰里奥 Andrea Frigerio 饰），如今的艾琳早已经嫁为人妻，而她的丈夫正是丹尼尔的旧友安东尼奥（达迪·布列瓦 Dady Brieva 饰）。
戴夫造了个迷宫
尼克·图恩,梅拉·罗希特·库姆巴尼,亚当·布斯奇,詹姆斯·乌尔班尼亚克,弗兰克·凯提,斯科特·纳维,斯蒂芬妮·阿琳,克斯汀·范奈丝,斯科特·克林斯基,蒂莫西·诺德温德,约翰·赫宁甘,瑞克·欧弗顿,卡米拉·艾尔内斯,德鲁·尼加,艾蒂安·埃克特,布里特妮·多伊奇,杰西卡·格拉夫斯艺术家戴夫，他的职业生涯，从来没有完成任何重要的作品。这次他造了一个迷宫，包含了幻想陷阱、诱杀装置，但不知何时，迷宫有了自己的生命，自行创造出多种机关怪物，甚至牛头怪。朋友们为了营救戴夫，进入折纸迷宫，大战机关和怪物，一场撕逼大战迫在眉睫……
贝尔法斯特
裘德·希尔,凯特芮娜·巴尔夫,詹米·多南,朱迪·丹奇,塞伦·希德,科林·摩根,刘易斯·麦卡斯基,乔茜·沃克,弗蕾娅·耶茨,内萨·埃里克森,查理·巴纳德,弗兰基·黑斯廷斯,马伊雷德·泰尔斯,卡奥兰·麦卡锡,小伊恩·邓尼特,迈克尔·马罗尼,罗拉·麦克唐纳,艾莉·康德伦,图尔洛夫·科维里,杰拉德·霍兰,康纳·麦克尼尔,约翰·塞森斯,马克·哈德菲尔德,克莱尔·阿什顿,萨克·霍兰,欧拉·麦克唐纳凯特瑞娜·巴尔夫、朱迪·丹奇、杰米·多南、塞伦·希德和新人裘德·希尔主演，讲述1960年代末动荡时期，一个在贝尔法斯特长大的男孩的故事。多南和巴尔夫饰演一对富有魅力的工薪阶层夫妇，他们陷入了混乱局势中，丹奇和希德饰演诙谐活泼的祖父母。