极乐租屋：房客好色
丈夫過世後，裕子一個人經營出租公寓。現在公寓裡住著四名房客，分別是：女大學生弘美，她每天努力投入啦啦隊的練習；以考上美術大學為第一志願，認真讀書的美由紀；曾經是不良少女，如今改邪歸正從事幫傭工作的里惠；以及萬年重考生尾崎。為了讓房客有舒適的居住環境，裕子每天都努力照顧四名房客，但其實公寓的經營極為慘淡，可說是入不敷出，在赤字連連的情況下，裕子甚至考慮要關門。寂寞的人妻裕子，甚至還對著亡夫的遺照自慰……
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剧情简介
丈夫過世後，裕子一個人經營出租公寓。現在公寓裡住著四名房客，分別是：女大學生弘美，她每天努力投入啦啦隊的練習；以考上美術大學為第一志願，認真讀書的美由紀；曾經是不良少女，如今改邪歸正從事幫傭工作的里惠；以及萬年重考生尾崎。為了讓房客有舒適的居住環境，裕子每天都努力照顧四名房客，但其實公寓的經營極為慘淡，可說是入不敷出，在赤字連連的情況下，裕子甚至考慮要關門。寂寞的人妻裕子，甚至還對著亡夫的遺照自慰……
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.