乳媚娘驾到!沈琪琪为求上位干脆脱衣上床

★ 8.5 播放:98万 更新:2026-06-04
主演: 未知/

乳媚娘驾到!沈琪琪为求上位干脆脱衣上床

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剧情简介

乳媚娘驾到!沈琪琪为求上位干脆脱衣上床

导演精选

毛骨悚然撞鬼经 2020秋季特别篇

  本集收录新作《造了不开启的房间》《有内情的KTV》及过去二十年名作选《交出手臂》《身后的女人》《深夜的镜像》《悬崖下》《书本招来的幽灵》《出租车司机的经历》《多出一人的电梯》《颜之道》。

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

蓝色男孩事件

本作的故事背景设定在日本经济高速增长期 —— 彼时东京奥运会、大阪世博会接连举办,社会处处洋溢着繁荣的气息。在社会迈向国际化、卖淫管控力度不断加强的背景下,为清除接受过性别重置手术、通称 “蓝男孩”的群体,检方决定逮捕为他们实施手术的医生赤城昌雄。   与此同时,在东京一家咖啡馆担任女服务员的沙纪,刚收到恋人的求婚,正沉浸在幸福之中。直到某天,负责在法庭上为赤城辩护的律师狩野卓找到了沙纪,请求她以 “接受过性别重置手术者” 的身份出庭作证。