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母亲往事

米洛·马查多·格拉纳,莱拉·贝蒂,约瑟芬·约比,乔纳森·科恩,安娜·勒尼,让娜·巴利巴尔,雪儿薇·瓦丹

Paris, 1963. The youngest of a family of six, Roland, is a boy like no other. According to the doctors, he'll never walk, but his stubborn mother, Esther, simply refuses to accept this.

黑天鹅1942

泰隆·鲍华,玛琳·奥哈拉,拉尔德·克雷加,托马斯·米切尔,乔治·桑德斯,安东尼·奎恩,乔治·祖科

 故事背景设定在16世纪的英国，海盗首领莫根船长（拉尔德·克雷加 Laird Cregar 饰）受到国王查理的特赦，并被任命为牙买加总督。一位年轻而勇敢、机智而英俊的年轻人沃林（泰隆·鲍华 Tyrone Power 饰）决定跟随莫根船长前往牙买加。然而，莫根过去的下属、狡猾而残忍的里奇船长（乔治·桑德斯 George Sanders 饰）却拒绝接受莫根的领导，继续在海上进行抢劫商船的行为。为了消灭海盗，沃林率领船队出海，在航行途中偶然与里奇的“黑天鹅号”，并和其他两艘船发生了遭遇战。面临险境，沃林不得不机智地假装前来投降并投靠里奇。通过巧妙周旋和激烈战斗，里奇最终受到了惩罚，他的“黑天鹅号”彻底被摧毁。与此同时，贵族小姐玛格丽特（玛琳·奥哈拉 Maureen O'Hara 饰）对沃林从厌恶逐渐转变为敬佩，最终产生了爱慕之情，展开了一场曲折而离奇的爱情故事。

埃迪森

LL Cool J,贾斯汀·汀布莱克,摩根·弗里曼,凯文·史派西,迪伦·麦克德莫特,约翰·赫德,加利·艾尔维斯,罗塞莉·桑切斯,达米恩·丹特·韦恩斯,马尔科·桑切斯,关永扬,安德鲁·杰克森,派珀·佩拉博,布赖恩·詹尼斯,叶芳华,罗伯特·米亚诺,BJ·哈里森,雷克哈·莎尔玛,彼特·科拉米斯,Klodyne Rodney,格伦·恩尼斯,克里斯·高瑟,塞奇·布洛克班克,瑞秋·斯派克特,吉姆·拜恩尼斯,布瑞恩·德拉蒙德,瓦妮莎·托马西诺,大卫·帕拉菲,阿丽克西斯·卢埃林,Holly Eglington,卡佳范瑞西

　　故事发生在一个虚构的城市——埃迪森市中，在那里，执政者和执法者相互勾结，黑恶势力层出不穷，金钱和权利的交易每天都在发生，这些黑暗和腐败犹如一只巨大而厚重的手掌，控制了整个城市和生活在其中的人们。波拉克（贾斯汀·丁伯莱克 Justin Timberlake 饰）是一名尚且保留了赤子之心的记者，精明的他很快就察觉到了发生在这个城市中的种种罪恶，心怀远大理想的他决定将它们一一揭发。　　波拉克的举动很快就惹恼了他正在调查的对象们，他们决定灭掉这个不知好歹的小子。在危险之中，波拉克只得求助于自己的老板艾斯佛（摩根·弗里曼 Morgan Freeman 饰）——一个良心尚存的老记者，在艾斯佛和其好友华勒斯检察官（凯文·史派西 Kevin Spacey 饰）的帮助下，波拉克正在一步一步的接近真相。

神犬查利

　　A dog gains superpowers after his is abducted by aliens. Together they battle an evil cat threatening humanity while the dog becomes a famous superhero.                        

微笑的山谷

米凯莱·里翁迪诺,罗马纳·马乔拉·韦尔加诺,Giulio Feltri

　　带着过往伤痛，塞吉欧只身一人前往「微笑之村」担任代理教师。这座对负能量零容忍的小镇，明明曾遭逢巨变，居民们却笑口常开。原来，让这座微笑之村风光明媚的秘方，是一位能吸取人间苦痛的男孩，他的身体如祭坛，透过拥抱承担全村的悲伤。他为人搭建快乐天堂，自己却陷入无尽黑暗。塞吉欧与男孩的相遇，搅乱了镇上的平衡；那座炼狱之门，也终将反向人间敞开。

痊愈

Stephanie Pearson,Hope Quattrocki,Liz Fenning

　　一个隐蔽的海洛因治疗中心的病人和工作人员必须与他们自己的恶魔进行战斗，因为一个神秘的杀手开始一个接一个地把他们抓走。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.