颠覆性学校

⭐ 1.0 播放:88万 2026-06-01

英文别名:Grand school,在这所法国最崇高的学府中,学生尽是高手中的高艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。我们无妨知道一下他们的起居习气:开学当天连开学典礼都不去,跟女友开房鬼混;闲来互抄功课;放学到酒吧泡妞。有女性、有出路、有份好工作等着结业后上任,谁不喜爱这样自由自在、高枕无忧的大学生活?除了男主角保罗。 保罗虽然有个好女友,偏偏发现个人沉迷同房的校草兼水球队队长,每天就看着他换衫练水泡妞消遣,怎么是好?还未摸清个人是爱男爱女仍是男女都爱,遽然遇上阿拉伯裔校工,对方对保罗爱得直爽、爱得轰烈,誓要在情场中将他按倒;但保罗背面的女友却又死缠难打,这个四角联系又怎么收场?

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剧情提要

英文别名:Grand school,在这所法国最崇高的学府中,学生尽是高手中的高艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。我们无妨知道一下他们的起居习气:开学当天连开学典礼都不去,跟女友开房鬼混;闲来互抄功课;放学到酒吧泡妞。有女性、有出路、有份好工作等着结业后上任,谁不喜爱这样自由自在、高枕无忧的大学生活?除了男主角保罗。 保罗虽然有个好女友,偏偏发现个人沉迷同房的校草兼水球队队长,每天就看着他换衫练水泡妞消遣,怎么是好?还未摸清个人是爱男爱女仍是男女都爱,遽然遇上阿拉伯裔校工,对方对保罗爱得直爽、爱得轰烈,誓要在情场中将他按倒;但保罗背面的女友却又死缠难打,这个四角联系又怎么收场?

暗夜精选

音乐之声

朱莉·安德鲁斯,克里斯托弗·普卢默,埃琳诺·帕克,理查德·海顿,佩吉·伍德,查尔敏·卡尔,希瑟·孟席斯-尤里克,尼古拉斯·哈蒙德,杜安·蔡斯,安吉拉·卡特怀特,黛比·特纳,基姆·卡拉思,安娜·李,波希娅·纳尔逊,本·怀特,丹尼尔·特鲁希特,诺玛·威登,吉尔克里斯特·斯图尔特,马妮·尼克松,埃瓦德妮·贝克,多丽丝·劳埃德,格特鲁德·阿斯特,弗兰克·贝克,史蒂夫·卡鲁瑟斯,山姆·哈里斯,多罗西·吉金斯,利奥达·理查德斯,杰弗里·塞尔,伯纳德·赛尔,诺尔曼·斯蒂凡斯,伯特史蒂文斯,玛丽亚·冯·特拉普

后室

切瓦特·埃加福,雷娜特·赖因斯夫,芬恩·本尼特,卢基塔·麦克斯韦尔,阿万·乔贾,马克·杜普拉斯,谢拉赫·霍斯达尔,托比·哈格雷夫,米拉尼亚·克尔,菲利普·格兰杰,帕特里克·贝纳姆

冰雪之行

马特·波莫,乔什·维金斯,比尔·普尔曼,亚历克斯·诺伊施泰特,莉莉·格莱斯顿,肯·怀特,斯科特·麦克米利恩

黑暗崛起

卡特丽娜·洛,拜斯·约翰逊,希瑟·马祖尔,迈克·沃特福德,Christian Ganiere

利刃之刀锋战士

魏小欢,张博楠,马畅,刘冰

星光继承者/僵尸高校生:繁星汇聚演唱会

玛利亚·贝克,玛拉基·巴顿,凯莉·坎特罗尔,乔舒亚·科利,梅格·唐纳利

银行抢劫案

杰森·斯坦森,萨弗蓉·布罗斯,斯蒂芬·坎贝尔·莫尔,丹尼尔·梅斯,詹姆斯·福克纳,阿尔基·戴维,迈克尔·吉普森,乔治娅·泰勒,理查德·林特恩,彼得·鲍勒斯,埃利斯戴尔·皮特里,哈蒂·莫拉汉,朱利安·刘易斯·琼斯,安德鲁·布鲁克,鲁珀特·弗雷泽,克里斯托弗·欧文,凯莉·霍威,唐·加拉格尔,克雷格·法布拉斯,杰拉德·霍兰,罗伯特·怀特洛克,大卫·苏切,彼得·德·杰西,约翰·迈尔斯,科林·萨蒙,莎朗·摩翰,雷·尼古拉斯,杰米·肯纳,安格斯·瑞特,马克·菲尼克斯,朱利安·弗思,鲁珀特·范西塔特,布隆森·韦伯,奥马

幕后花絮

莫·吉里根:活在当下

Follows British comedian Mo Gilligan as he dishes on fame, family and being British in America.

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.