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Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
90年代的哈城,刚刑满释放的徐铁(包贝尔 饰)偶遇装哑的舞女百灵(张梦露 饰),两人也在几次偶遇和深夜相伴中渐生情愫。直到除夕夜的温暖,让他们相互靠近,却又因现实隔阂,家人误解而屡屡拉扯。百灵为父还债的秘密账本,让徐铁读懂了她的苦衷,雷力的迫害更是将两人推向绝境,徐铁以命相搏救出被囚的百灵,终赢来家人祝福。这对孤独灵魂,在世俗重压下,以真爱焐热了彼此的人生。
活到最後才有繼承權資格…背叛、猜疑和貪婪交織!一場災難性的運鈔行動後,三噸貨物運抵目的地,但所有現金卻不翼而飛,幫派內部一片混亂。老大身亡,死於內部背叛和謀殺,幫派的得力幹將克萊奧挺身而出,誓要揭開真相,隨著真相逐漸浮出水面,一張由背叛、猜疑和貪婪交織而成的錯綜複雜的網也隨之浮現。
达米安(萨莎·拜伦·科恩饰)似乎拥有一切:金钱、权力,以及源源不断的艳遇。正当他准备晋升为一家顶尖广告公司的首席执行官时,一场噩梦让他的生活彻底颠覆:他醒来发现自己身处一个由女性主宰的平行世界。曾经叱咤风云的他,如今却发现自己处境艰难,不得不与强势无畏的艾莉克斯(裴淳华饰)正面交锋。规则改变,艾莉克斯如日中天,两人展开了一场大胆的较量。这部轻松诙谐、讽刺意味十足的喜剧讲述当性别角色被彻底颠覆时会发生什么。