蛇与鞭
美丽的江藤伦子（真咲乱 饰）继承了母亲的姣好容貌，吸引了无数人的注艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。无奈父母因车祸双亡，伦子和弟弟俊介（矢吹龍一 饰）相依为命。为了生计，她进入母亲曾经供职的大手商社，并得到社长高见泽（児玉謙次 饰）的照顾，担当了他的秘书。伦子秀丽端庄，宛如一朵圣洁不可侵犯的白莲花，高见以及夜总会的佐伯（港雄一 饰）都对她垂涎三尺，只可惜无从下口。某个晚上，俊介跟朋友出入夜总会，经介绍结识了风姿绰约的老板娘野泽亚纪子（志麻いづみ 饰）。一夕欢愉过后，却不曾想落入佐伯的圈套。未过多久，伦子也被骗入夜总会。罪恶之夜，所有的美好都被摧毁 hellip; hellip;
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剧情简介
美丽的江藤伦子（真咲乱 饰）继承了母亲的姣好容貌，吸引了无数人的注艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。无奈父母因车祸双亡，伦子和弟弟俊介（矢吹龍一 饰）相依为命。为了生计，她进入母亲曾经供职的大手商社，并得到社长高见泽（児玉謙次 饰）的照顾，担当了他的秘书。伦子秀丽端庄，宛如一朵圣洁不可侵犯的白莲花，高见以及夜总会的佐伯（港雄一 饰）都对她垂涎三尺，只可惜无从下口。某个晚上，俊介跟朋友出入夜总会，经介绍结识了风姿绰约的老板娘野泽亚纪子（志麻いづみ 饰）。一夕欢愉过后，却不曾想落入佐伯的圈套。未过多久，伦子也被骗入夜总会。罪恶之夜，所有的美好都被摧毁 hellip; hellip;
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
害虫
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